Plot summary[ edit ] Fortunato and Montresor drink in the catacombs. Angry over numerous injuries and some unspecified insult, Montresor plots to murder his "friend" during Carnivalwhile the man is drunk, dizzy, and wearing a jester 's motley. Montresor lures Fortunato into a private wine-tasting excursion by telling him he has obtained a pipe about gallons,  litres of what he believes to be a rare vintage of Amontillado. He proposes obtaining confirmation of the pipe's contents by inviting a fellow wine aficionado, Luchesi, for a private tasting.
He wants to exact this revenge, however, in a measured way, without placing himself at risk. During the carnival season, Montresor, wearing a mask of black silk, approaches Fortunato.
He tells Fortunato that he has acquired something that could pass for Amontillado, a light Spanish sherry. Montresor tells Fortunato that if he is too busy, he will ask a man named Luchesi to taste it.
Fortunato apparently considers Luchesi a competitor and claims that this man could not tell Amontillado from other types of sherry. Fortunato is anxious to taste the wine and to determine for Montresor whether or not it is truly Amontillado. Montresor has strategically planned for this meeting by sending his servants away to the carnival.
The two men descend into the damp vaults, which are covered with nitre, or saltpeter, a whitish mineral. Apparently aggravated by the nitre, Fortunato begins to cough. The narrator keeps offering to bring Fortunato back home, but Fortunato refuses.
Instead, he accepts wine as the antidote to his cough. The men continue to explore the deep vaults, which are full of the dead bodies of the Montresor family.
Montresor does not recognize this hand signal, though he claims that he is a Mason. When Fortunato asks for proof, Montresor shows him his trowel, the implication being that Montresor is an actual stonemason.
Fortunato says that he must be jesting, and the two men continue onward. The men walk into a crypt, where human bones decorate three of the four walls.
The bones from the fourth wall have been thrown down on the ground. On the exposed wall is a small recess, where Montresor tells Fortunato that the Amontillado is being stored.
Fortunato, now heavily intoxicated, goes to the back of the recess. Montresor then suddenly chains the slow-footed Fortunato to a stone.
Taunting Fortunato with an offer to leave, Montresor begins to wall up the entrance to this small crypt, thereby trapping Fortunato inside. Fortunato screams confusedly as Montresor builds the first layer of the wall.
The alcohol soon wears off and Fortunato moans, terrified and helpless. As the layers continue to rise, though, Fortunato falls silent. Just as Montresor is about to finish, Fortunato laughs as if Montresor is playing a joke on him, but Montresor is not joking.
After no response, Montresor claims that his heart feels sick because of the dampness of the catacombs. He finally repositions the bones on the fourth wall.
For fifty years, he writes, no one has disturbed them. Montresor confesses this story fifty years after its occurrence; such a significant passage of time between the events and the narration of the events makes the narrative all the more unreliable.
His face covered in a black silk mask, Montresor represents not blind justice but rather its Gothic opposite: Montresor chooses the setting of the carnival for its abandonment of social order. While the carnival usually indicates joyful social interaction, Montresor distorts its merry abandon, turning the carnival on its head.
Because the carnival, in the land of the living, does not occur as Montresor wants it to, he takes the carnival below ground, to the realm of the dead and the satanic."The Philosophy of Composition" is an essay written by American writer Edgar Allan Poe that elucidates a theory about how good writers write when they write well.
The Cask of Amontillado by Edgar Allan Poe Essay - The Cask of Amontillado by Edgar Allan Poe In "The Cask of Amontillado," Edgar Allan Poe uses several different artistic choices in . The story's setting contributes greatly to the increasing atmosphere of horror, as Poe's treatments of time and place cause the readers to predict, to fear, and tremble in the unfolding action.
The physical time in "The Cask of Amontillado" produces an element of tension and foreboding to the story. See if you can remember the characters, setting and narrative of Langston Hughes' story, 'Thank You, Ma'am,' with this interactive quiz and. A summary of “The Cask of Amontillado” () in Edgar Allan Poe's Poe’s Short Stories.
Learn exactly what happened in this chapter, scene, or section of Poe’s Short Stories and what it means. Perfect for acing essays, tests, and .
In “The Cask of Amontillado” Edgar Allen Poe uses the dark, imposing setting to do just that, communicate the underlying theme of the story, being death, revenge and deception. Poe begins setting the tone of the story by describing the gloomy and threatening vaults beneath Montressor’s home.